Tag Archive

American Madness (1932)

By Alexander Inglis

On the audio commentary track, it is stated that “a run on a bank couldn’t happen today because our money is protected”. That was recorded in 2005; how times change — and how things remain the same! In the midst of our own century’s most traumatic financial crisis, where not just 25% of banks but… »

Dead End (1937)

By Alexander Inglis

Dead End (1937), although nominated for four Oscars including Best Picture, won nothing. Although it’s a fine picutre, and stands up remarkably well for its time, this was hardly an example of “Oscar getting it wrong”; it’s memorable as a break-through role for Humphrey Bogart, third in billing, as the gangster… »

Waterloo Bridge (1931)

By Alexander Inglis

Movie archaeologists who might have believed the long suppressed 1931 version of Universal’s Waterloo Bridge was lost were delighted when it was unearthed in the 1970s; it is now, happily, available to the rest of us as part of TCM Archive’s Forbidden Hollywood releases of pre-code talkies (1929-July 1934). Without question, the film is a… »

Morning Glory (1933)

By Alexander Inglis

Morning Glory (1933) is a touching, well paced story of a young woman vying for success in the glamourous world of New York’s theatre. Premiered a year before the enforcement of the notorious production code, it was only Hepburn’s third film, but it won her her first of 12 Oscar nominations, and her first win…. »

The Old Dark House (1932)

By Alexander Inglis

If ever an early talkie deserved the opening line narration “It was a dark and stormy night …”, this is it. This rain-soaked early horror, freshly churned out by the director and studio which gave us Frankenstein, features five travellers who stumble upon the Femm estate in Wales during a horrendous rain storm. The residents,… »

Dark Victory (1939)

By Alexander Inglis

Justly celebrated since its original release, Dark Victory (1939) continues to delight fully 70 years later. Though Bette Davis is in virtually every scene – this is not exactly an ensemble picture – she never outstays her welcome as her moods swing from… »

The Old Maid (1939)

By Alexander Inglis

The Old Maid isn’t just remarkable for being made in 1939 — the year of Gone With The Wind and The Wizard of Oz — but also for being the same year Bette Davis also starred in Dark Victory, one of her most indelibly famous films. Edmund Goulding, who would turn 50 during the filming… »

Search for Beauty (1934)

By Alexander Inglis

In Search for Beauty (1934), a trio of scam artists decide that sex sells magazines better than anything else, and get the idea to populate a magazine and resort with ex-Olympic athletes from around the world to titilate, tantalize and beat into shape the readers and wealthy patrons… »

Murder at the Vanities (1934)

By Alexander Inglis

If nothing else, Murder at the Vanities (1934) offers some great musical numbers, including a fabulous star turn by Duke Ellington and his band. You’ll also be entertained and amused by “Cocktails for Two” and astonished by the full spectacle of “Marajuana”… »

Torch Singer (1933)

By Alexander Inglis

In Torch Singer (1933), pregant and alone in the world, Sally Trent (Claudette Colbert) spends a few months in a Catholic woman’s home having her baby. Later, she finds she has no choice but to give up her daughter for adoption. Heart-broken, Sally returns to her singing career and transforms herself into a very successful… »